[书籍] Early Italian Painting[早期义大利绘画]
出版社:
Parkstone Press
简介:
Swinging between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italians art summarise the first steps that lead to the Renaissance. Trying out new mediums, those first artists little by little left frescoes for removable panels. If hieratic faces can offend our neophyte eyes, this detachment was requested at that time. It highlighted the divinity of the character, comforting the sacrality by a background covered with gold leaves. The elegance of the line and the colour choice combined to reinforce the symbolic choices, half-confessed ultimate goal of the Early Italians artists: make the Invisible… visible. The author, in the magnificent book, takes up with emphasizing the importance that the rivalry between the Siennese and Florentine shools played, for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human… opening a discrete but definitive door through the anthropomorphism, cherished by the Renaissance. 摇摆于希腊-拜占庭的庄严和乔托所预言的现代性，早期意大利绘画奠定了通往意大利原生的文艺复兴的第一个重要的美学运动。尝试新的介质和技法，这些革命性的艺术家不再在墙上绘制壁画，而是创造了首批在木板上可移动的绘画。他们绘制的形象的外观震撼了观众，以此来强调所要代表的人物的神性。明亮的金叶背景应用于突出主题的虔诚。线条和色彩的高雅组合在一起以加强特定的象征性的选择。最终，早期意大利艺术家希望使得不可见变得可见。在这本华丽的书中，作者强调了在锡耶纳和佛罗伦萨学派当中的竞争在艺术史进步当中的重要性。读者在领略这些被人遗忘的杰作的过程中将会发现，神圣是如何开始变得更有人的形态，从而通过拟人论，一种将被文艺复兴所珍爱的技艺的运用开启一扇分立的但却是明确的门。
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